摘要
基于人文水利提出构建水工美学的必要性,并对水工美学的理论和实践进行初步探讨。人文水利要解决的是水利与文化、水利与人的关系问题。水工美学的研究对象是山、水、水工建筑物的序结构,是美学四载体形、光、声、色的最优配置。
The necessity of creating hydraulic aesthetics is pointed out based on the ideology of spreading water culture. The theory and practice of hydraulic aesthetics are discussed. Water humanization deals with relationship between water and culture, as well as water and people. The study objectives of hydraulic aesthetics are mountain, water and order structure of water structures, which is the optimized allocation of four carriers of aesthetes, i.e. look, light, sound and color.
出处
《中国水利》
2007年第11期55-57,共3页
China Water Resources
关键词
人文水利
水工关学
现代水利
water humanization
hydraulic aesthetics
modernized water management
