摘要
书法评论语体主要有两种,即论书的本体和喻体。其喻体主要是借助相关艺术语言喻书法艺术之法、书法艺术之美,以音乐语言论书法历来为论书的一种重要方法。书法由点画和章法构成,音乐由音符与和声、旋律构成,二者的组合规律相似;书法之韵与情的表现具有音乐美的特征;书法之美与音乐之美与中国传统美学思想同根同宗。
There are mainly two kinds of languages in commenting on calligraphy which are calligraphyg noumenon and the analogical languages. The latter is to explain in virtue of relevant artistic languages calligraphyg artistic principles and its artistic beauty. Commenting on calligraphy with music language has always been an important method. Calligraphy is composed of stipples; music is composed of harmony and melody. Calligraphy and music have similar compounding laws. The representation of calligraphy＇s charm and feelings bears the characteristics of the beauty of music. The beauty of calligraphy and the beauty of music are of the same clan with traditional Chinese aesthetics.
出处
《信阳师范学院学报（哲学社会科学版）》
2007年第3期88-91,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
基金
国家艺术规划项目(03DD085)
关键词
书法
音乐
审美
calligraphy
music
aesthetic
