摘要
当代建筑的美学观与传统建筑美学相比有着更加广泛的审美标准。这些新的美学倾向并不是对传统美学的否定,而是具有时代特征的有益补充。探讨了彼得·艾森曼建筑话语中呈现出的怪异、消解尺度、无中心等等与传统美学标准不同的审美倾向,分析其背后的哲学、美学、建筑学等语境,并指出彼得·艾森曼建筑话语对当代建筑美学的拓展及启示意义。
The contemporary architecture has more comprehensive aesthetics standard, when it was compared with classical architectural aesthetics. These new aesthetics trend have not negated the classical aesthetics, but enriched former taste. This article discusses the grotesque, deconstruction of scale, losing of center, etc.presenting in Peter Eisenman＇s architecture discourse, which had not ap- peared in classical architecture. Then, the article analyzes its philosophy, aesthetics, architecture, etc context, and points out the expanded ness and revelation of Peter Eisenman＇s architecture discourse to today＇s architecture aesthetics.
出处
《新建筑》
2007年第3期7-10,共4页
New Architecture
关键词
彼得·艾森曼
建筑话语
美学原则
构图原理
Peter Eisenman, architecture discourse, aesthetics principle, composition theory
