摘要
我们阅读《庄子》的文章,可以从中感受到浓浓的“舞”意。通过考察我们发现,原来庞朴先生早就谈到巫、無、舞三字来源于同一项巫风文化活动,其中“巫”作为主体、“無”作为对象、“舞”作为手段。对此,我们的理解是庄子借助“舞”中之“象”,揭示他对“無”的人生审美境界的创造。
In Zhuangzi we may have a strong feeling of dance. By investigation, we find that Mr. Pang Pu first probed into the relation of the three words witchcraft, nonexistence and dance, which come from the same witchcraft culture, with one as subject, one as object, and another as means. So, we think Zhuang Zi who relied on the shapes of the dance, probed into the aesthetic realm Of nonexistence.
出处
《临沂师范学院学报》
2007年第2期50-52,共3页
Journal of Linyi Teachers' College
关键词
庄子
舞
巫
集
Zhuang Zi
dance
witchcraft
nonexistence
