摘要
北魏之前,西域胡乐已在内地流传。凉州作为胡乐东渐的第一站,对促进汉魏雅乐与胡乐的交融,起到了重要作用。北魏初期,宫廷音乐本用胡乐。立国既久,汉化渐深,统治者遂大力推崇雅乐,垂心雅古,务正音声,但北魏雅乐终不免戎华兼采、不辨雅郑,杂入了大量西域胡戎乐。这一有悖"礼乐治国"之状况,却推动了中古音乐从"教化民众"向"娱悦性灵"理念的回归;北魏文学更是吸收西域胡戎乐曲辞之悲凉意蕴,经艺术提升,变悲凉为壮美,文人乐府诗因此出现了瑰丽壮美的风貌。西域胡戎乐曲辞的自由体式,亦为文人诗歌吸收,促进了文人歌行体诗进一步走向成熟。
In the early period of Northern Wei Dynasty, court music adopted Hu Yue of Xianbei. Afterwards, court music integrated Hu Yue and refined music of Wei ＆ Jin Dynasties gradually. Although this condition went against the precept that refined music could administer country, it made the aim of Chinese classic music change from educating the people to molding their souls. After absorbed desolation features of Hu Yue and art refined, literati＇s Yuefu poems in Northern Dynasty showed magnificence peculiarity. In addition, the free style of H u Yue was also absorbed by literati＇s poems, which accelerated the maturation of literati＇s poems set to music.
出处
《学术月刊》
CSSCI
北大核心
2007年第5期113-118,共6页
Academic Monthly
关键词
西域胡戎乐
雅乐
音乐观念
乐府诗
Hu Yue, refined music, musical concept, Yuefu Poems
