摘要
文章对苗族鼓文化发展脉络进行梳理,认为苗族木皮鼓由木鼓演变而来,在制作与使用苗鼓的过程中形成特定形态的鼓舞文化。苗族鼓舞历经春秋战国、唐宋时期的文化累积,到明清时期完整形成,清代以来苗族农闲时举办的五种典型鼓舞彰显了苗区闲暇文化生活形态,其象形动作在描绘苗民农耕生活情景同时又反映了农耕民族的生活规律,展示了云贵高原及周边山地民族丰富的农耕文化内涵。苗族鼓舞文化作为民间传统文化,既来源于苗族家庭生活又成为苗族家庭生活中重要组成部分,并深深影响整个苗族社会生活。
On the basis of analyzing the development of the drum dance culture of Miao people, this paper holds that the feather drum was changed from the wooden drum, and the specific drum dance culture developed in the course of making and using the drums. The drum dance culture, a folk traditional culture, developing from the Spring and Autumn Periods, Tang and Song dynasties, to Ming and Qing dynasties, originates from the family life of Miao people and plays an important part in it. Therefore, The drum dance culture influences greatly the social life of Miao people.
出处
《湖北民族学院学报（哲学社会科学版）》
2007年第1期25-31,41,共8页
Journal of Hubei Minzu University：Philosophy and Social Sciences
关键词
明清以来
苗族
鼓舞文化
历史人类学
since Ming and Qing dynasties
Miao people
drum culture
historical anthropology
