摘要
中国当下,伴随着消费对象的不断“越界”,历史消费主义影视思潮呈现出日渐明显的泛化态势。从历史消费主义影视剧的内部配方机理入手,可以把历史消费主义影视剧归纳为“配方”、“怀旧”、“噱头”、“小历史”、“游戏”、“反历史”等文化模式。历史在历史消费主义的尽情游戏中“迷失”了。无论历史消费主义影视剧走着怎样的路线,始终不变的是“消解—确立”模式。
In today＇s China,with the continuous ＂blindness＂of consumers,the films and TV plays with historical consumerism have obviously become commonplace. According to the content of films and TV plays with historical consumerism, the cultural formula in them can be classified into ＂compounding＂, ＂nostalgia＂, ＂trick＂, ＂partial history＂, ＂games＂, and ＂anti-history＂. The real history can not be found in the games played by films and TV plays with historical consumerism. No matter what happens to the films and TV plays with historical consumerism, the unchanged formula is ＂clearing-and-establishment＂.
出处
《渤海大学学报（哲学社会科学版）》
2007年第3期68-72,共5页
Journal of Bohai University:Philosophy & Social Science Edition
基金
国家社科基金项目(04&ZD026)部分研究成果之一
教育部人文社会科学青年项目"巴赫金躯体理论研究"(05JC750.47-99016)成果之一
关键词
历史消费主义
影视思潮
文化模式
影视剧
historical consumerism
thinking trend of films and TV plays
cultural formula
