摘要
凯特.米莱特在其颇有影响的《性政治》一书中专论了大卫.劳伦斯,把其定位为一个患有厌女症的作家。《儿子与情人》、《卖票》等著作确实为这种说法提供了可信度。劳伦斯其人是否真是厌女症患者,不仅是关乎他个人的事情,更是关乎人们对他的艺术和思想的理解的重要议题。文章从他的生平记录出发,试图运用新批评的批评方法,借助对《儿子与情人》和《卖票》中的人物性格的分析,并运用叙事学原理澄清事实真相。
D.H. Lawrence has long been bitterly criticized as a misogynist. Undeniably, some credibility of such a judgement could be derived if his autobiographical work Sons and Lovers is attended. But it remains questionable whether he was indeed of that type or he simply consciously pick up and took advantage of such a psychological location in composition for more projecting artistic effect. This paper shall try to clarify this with evidence from his life records, his works, with arguments from narratology, and with analysis as to his peculiar location employed in character depiction in Sons and Lovers and Tickets, Please.
出处
《河南机电高等专科学校学报》
CAS
2007年第2期64-66,共3页
Journal of Henan Mechanical and Electrical Engineering College
关键词
厌女症
爱情的双重性
二元对立
心理定位
隐指作者
misogynist
doubleness of love
binary operation
psychological location
implied author
