摘要
运用文化语言学的理论方法,利用历史文献、考古出土文物,阐释古文献里编磬中笙磬、颂磐的观念,并分析其所承载的音乐文化。古磬最初是单一的特磬,逐步发展为编磬,西周、春秋战国时期成为祭祀活动中的庙堂之乐;战国时期,不晚于汉朝进一步成为雅颂之声的载体,至今仍是佛教寺庙祭祀活动中不可或缺的法器和宗教乐器。
With the theory method of cultural philology, the writer utilized historical document as well as the archaeological uncovered relics to explain the conception of sheng-qing and ode-qing in set of chimes recorded in the ancient documents, and analyzed its musical culture. The writer pointed out that the ancient qing had been single one originally, then worked up to set of chimes, and it was a temple music in fete activities in the periods of Western Zhou Dynasty, the Spring and Autumn, and the Warring States. Qing has been a ritual utensil as well as religion instrument in temple fete activities in Buddhism till nowadays.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第2期75-78,共4页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
磬
笙磬
颂磬
五方
五行
qing （a kind of Chinese instrument made of stone）, sheng-qing, ode-qing, all directions （south, north, east, west and centre）, five elements of metal, wood, water, fire and earth
