摘要
踏歌是在中国古代各民族中广泛流传的一种自娱性舞蹈,也是古代文化的活化石。这种舞蹈在古代分布在三个区域:黄河流域、长江中下游和西南地区,如今,踏歌在内陆腹地销声匿迹后,却在西南的少数民族地区世代相传,仍然盛行。通过对踏歌的特征、文化传播带和在民族舞蹈中的遗存的论述,以揭示踏歌的历史作用与文化内涵。
Tage is a popular dance for self - entertainment among the ethnic groups in ancient China and is a living fossil of ancient culture. In ancient China, Tage was popular in the valley of the Yellow River, the middle and lower reaches of the Yangtze River and southwest China. At present, Tage has disappeared in the interior of China but is still very popular among the minorities in southwest China who have inherited it from one generation to the next. This paper reveals its historical and cultural connotations through a discussion of its traits, cultural rings of transmission and inheritance in minority dances.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2007年第3期117-119,共3页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
关键词
踏歌
文化传播带
历史遗存
历史作用
文化内涵
Tage performance
cultural ring of transmission
historical inheritance
historical function
cultural connotation
