摘要
本文从“房间”和“他人的酒杯”两个核心意象出发,探讨当代女性文学创作及批评的误区与出路。由于闭锁性“房间”的个人化写作的局限,当代女性文学创作出现了身体经验的沉迷与放纵、私人景观的封闭与模式化、底层世界的漠视与缺失等写作误区;走出误区的关键是敞开门户,寻求个人与外部世界链接的多种路径。“他人的酒杯”的异域性以及横向移植生成的话语迷雾,使当代女性文学批评呈现出诸多盲点和失误:理论资源确定上的单一视域和碎片拼贴、研究对象选择上的狭隘视野与女性经验文本的偏爱、批评方法运用上的单维向度与形式批评的忽视等;女性文学批评发展的健康之路是从“他人的酒杯”走向自制“鸡尾酒”,从横向移植走向多维度、原创性的中国性别诗学。
According to the core image of ＂room＂ and ＂the wine cup of others＂ ,this article probes into the wrong path and the wayout in Chinese feminine literature and criticism. Owing to the limitation of enclosed ＂room＂ in individualized writing, Chinese contemporary feminine literature indulges in body experience and private landscapes, so the ignorance of lower class society come across. In order to solve this problem,it＇s of great significance to open the door and seek the linkage of the inner world and outside world. The regionality of ＂the wine cup of others＂unavoidably brought effects to the dense fogs of utterance, so there are many blindnesses and errors in feminine criticism：the single western culture and piece togother in theory rescources;the narrow pessdective and text admiring of feminine experience on research object; the single dimension and loss of form criticism in critical method . Therefore,the new development of feminine criticism should be from the horizontal transplantation to the orginal and multi -perspective gender poetics.
出处
《中国文学研究》
CSSCI
北大核心
2007年第2期86-91,共6页
Research of Chinese Literature
基金
湖南省社科成果评审委科研项目<20世纪女性文学的文化母题研究>(0606026A)的系列成果之一
关键词
女性文学
反思
误区
出路
feminine literature
reflection
the wrong path
the wayout
