摘要
在《文艺心理学》中,朱光潜先生将美感经验定义为“形象的直觉”,从而把联想排除在美感经验之外。而同时朱先生又认为无论是创造还是欣赏都离不开联想,甚至得出“诗的微妙往往在于联想的微妙”的结论。直觉与联想的矛盾由此形成。朱先生克服此矛盾的方法是,将艺术欣赏的范围扩大,认为完整的艺术欣赏活动包括欣赏前的了解、不旁牵它涉的欣赏和欣赏后的批评。而本文认为这并未从根本上解决矛盾,不过是在一定程度上对它做了调和。借助以苏珊.朗格为代表的符号主义美学,我们或许可以从根本上使矛盾得以解决。
Intuition aesthetic feeling being experienced defining the image in literature and art Mr. psychology middle, Zhu Guang Qian, Besides holding the experience associating trouble shooting in aesthetic feeling thereby. But, Mr. Zhu thinks that creation draws appreciating to can＇t be separated from delicacy associating, submitting a poem＇s even sometimes lying in the delicate conclusion associating that at the same time. That Mr. Zhu intuition and the contradiction associating that are formed from this overcomes this contradictious way is that sympathetic range expands art. Think that entire art appreciates the criticism using personal influence including appreciating the front acquaintance appreciating and appreciating the day afar tomorrow＇s. The author thinks that this is not secondary together resolving a contradiction fundamentally, is just to have done limited harmonious. The sign doctrine aesthetics drawing support from Sushanlangge probably can solve this contradiction really.
出处
《安康学院学报》
2007年第2期65-68,共4页
Journal of Ankang University
关键词
朱光潜
《文艺心理学》
美感
直觉
联想
Zhu Guang Qian
Literature and art
Aesthetic feeling
intuition
lenovo
