摘要
大跃进民歌当年盛况空前,对之评价奇高。今天虽成为文学史反思的一个热点,但一般都是从政治视角而下的文学判词。本文从大跃进民歌中的爱情诗、文学的想象力、夸张手法的运用几个方面,说明它是因感情的缺位而导致了诗性的迷失,并从“诗缘情”的诗歌美学特征上与大跃进民歌作出一种艺术的告别。
The folk songs of the ＂Great Leap Forward（GLF） ＂were so prosperous between 1958 and 1960 that they were highly appraised. Nowadays, as a hot issue on the history of Chinese literature, they are evaluated mainly from the politic perspective. This paper, however, from the aspect of love poems, literature imagination, and exaggeration in the GLF folk songs, explains that it is the absence of affection that results in the missing of poetic character. Hence an artistic farewell to the folk songs based on poetic affection and poetic aesthetics.
出处
《湖北教育学院学报》
2006年第12期1-4,共4页
Journal of Hubei Institute of Education
关键词
大跃进民歌
感情缺位
诗性迷失
the GLF folk songs
absence of affection
poetic character missing
