摘要
山水诗、画都经历了空间结构的质朴——繁富——洗练的转变,但是二者的节奏、表达方式并不一样。诗人多使用从高到低的俯仰视角,其次是由近及远的观赏视线;而这一俯仰自得、游心太玄的空间意识,也为山水画极力摹仿表现。
The landscape poetry and paintings of East Jin and South Dynasty （317A. D. to 589 A. D. ） acquired independent status and further development in the art, inspired by the aesthetic taste of Jin＇s people. They owned the same aesthetic headstream and creative object, influenced one another and shared the outstanding achievement. On the other hand, they have different expressive methods, effects and judge criteria. The poet continually adopted the visual angle downwards from high to low and the line of sight from far to near. They were also imitated and expressed by the landscape painting.
出处
《江苏教育学院学报（社会科学版）》
2007年第2期83-86,共4页
Journal of Jiangsu Institute of Education(Social Science)
关键词
山水诗
山水画
质朴
繁富
洗练
the landscape poetry
the landscape paintings
modesty
flourishing
concision
