摘要
在日本建筑师隈研吾于上海设计的中泰控股集团上海总部Z58中,安装了镜面不锈钢花槽的玻璃外墙与整面流水的玻璃内墙之间是挑空4层的透明大厅。这两块玻璃墙面可以看作是一个把外部景观抽象化处理后引入内部的装置。如果从建立新型建筑内外关系的可能性上进行探讨,便可明白该建筑的新意所在。
In his work Z58 in shanghai, the Japanese architect Kengo Kuma makes the exterior wall a glazing skin with peripheral planter of highly polished stainless steel.Water trickles down and across the interior wall, which is also glazing, making it a limpid curtain of waterfall. Between the two glazing walls there s the atrium,4 levels high and bright and transparent The innovativeness in such a design we are to appreciate if we study it from the potential for a new type inside-outside relationship, for the walls serve right as a regulator who captures what are happening outside, works on the images in a certain way and then displays them in the inside space like some sequential abstractions.
出处
《时代建筑》
2007年第1期74-83,共10页
Time + Architecture
