摘要
本文从分析女性写作与历史剧创作产生联系的内外在原因入手,梳理了新时期以来女性历史剧从感应时代需求,力图构建宏大叙事的审美风格转换成为90年代颠覆权威叙述、建构女性视角下的历史言说的沿革变化。女性历史剧呈现出以世俗化的人性构建颠覆主流神话、取消历史必然性的逻辑结构、以及直接针对男权文化特征的言说姿态等特点,从凸现女性欲望的强大和贬抑男性力量两个方面实现对父权文化的拆解,从而将性别意识与历史表现联系起来,为重构历史叙述提供了一种独特的视角。
Based on analyzing the relation between woman and history, this thesis focused on Chinese contemporary female chronicle plays and discussed the change of female chronicle plays from 1980s to 1990s Female chronicle plays, which used the means of absurdism, secularity and humanism, waken the patrilineal culture by emphasizing the power of female and debasing the male. Consequently, they connect gender with history and offer a special visual angle for the revalution of history narrative.
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2007年第2期132-136,共5页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
女性历史剧
女性意识
宏大叙事
解构意识
female chronicle play, feminist awareness, grand narrative, deconstruction
