摘要
游艺本是儒者历练性情与德业的重要科目,却被道家庄子视为“雕虫小技”。《庄子》之游艺故事,可分两类:“人动—对象不动”和“人不动—对象动”,前者强调人对物理的体察,后者强调人的“拟物化”。《庄子》之游艺故事透露出这样的信息:所谓“天人合一”并非以“天”灭“人”,而是“人”对自然物理的遵循。
Entertainment from skills is originally an key subject for the Confucians to develop their character and moral but is looked down upon by Zhuang Zi, the representative of Taoism. The story related in Zhuang Zi can be divided into two categories： ＂man moving ——the subject still＂ and ＂man still—— the subject moving＂, the former emphasizes man＇s reaction towards nature while the latter man＇s imitation of nature. The story tells us that the so-called theory that ＂man is an integral part of nature＂ does not mean that nature destroys man but that man obeys nature.
出处
《江苏行政学院学报》
2007年第2期12-15,共4页
The Journal of Jiangsu Administration Institute
关键词
庄子
孔子
游艺
物理
Zhuang Zi
The Confucius
Entertainment from Skills
Nature
