摘要
建国以后国内美学界围绕《1844年经济学哲学手稿》展开持久而热烈的讨论,但多是从《手稿》的文本语境出发并坚持概念优先,在两个“尺度”、“规律”等命题上纠缠不休,遂使讨论走入迷境。在现有学术背景下,很有必要从艺术人类学视角出发,重新考察“尺度”、“规律”等命题,从而为当代中国美学建设及当下审美活动的评判提供思想素材。
Since the founding of the People＇s Republic of China, Chinese aesthetic learners have discussed Economic and Philosophical Manuscripts of 1844 heatedly for a long time. Those discussions were mainly focused on the context of Manuscript and stuck to the priority of conceptions, keeping on at two ＂standards＂ and ＂rules＂, and lost their way in the end. In order to provide academic materials for the construction of modern Chinese aesthetics and the judgment of contemporary aesthetic actions, it is necessary to reanalyze conceptions of ＂standard＂ and ＂rules＂ from the perspective of anthropology of art under modern research conditions.
出处
《安徽教育学院学报》
2007年第2期26-30,共5页
Journal of Anhui Institute of Education
基金
安徽省高等学校青年教师科研资助项目
安徽师范大学青年教师科研资助项目(2006xqn04)
安徽师范大学博士科研启动资金资助项目
关键词
美的规律
艺术人类学
尺度
aesthetic rules
anthropology of art
standard
