摘要
在庄子那里,“得意忘言”中的“意”,既可以指对象难以言说的精微意义,也可以指向形而上的“道”。“得意忘言”中的“忘”既是鉴赏者语言水平臻于化境的表现,也是鉴赏者领悟了对象深层审美内蕴、获得了高峰体验的反映。“得意”与“忘言”互为前提,是不可机械分割的有机整体。其基本精神就是要引领人们超越语言文字、超越此在去追寻与道合一、物我两忘的“至美”境界。所以,“得意忘言”这一命题不仅具有语言学上的价值。而且蕴涵着丰富的道家文化精神;发展过程中既影响到文人们对理想精神境界的追寻,也影响到文人们对理想创作境界和鉴赏方法的构想。
The word significance in ＂obtaining the significance and forgetting the words＂ refers to both the subtle meaning of something and ＂Daoism＂ in metaphysics. The word forgetting in ＂obtaining the significance and forgetting the words＂ indicates both the appreciators＇ language skills and aesthetic appreciation ability. As an organic whole, the inseparable ＂obtaining the significance＂ and ＂forgetting the words＂ lead people to a state of extreme beauty beyond description of words, the unity of man and Daoism. Therefore, ＂obtaining the significance and forgetting the words＂ is of great value in language skills as well as the cultural connotation of Daoism which influences scholars on their pursuit of both spiritual realm and literary composition and appreciation realm.
出处
《唐都学刊》
2007年第2期112-115,共4页
Tangdu Journal
关键词
得意忘言
意
忘
＂obtaining the significance and forgetting the words＂
significance
forget
