摘要
是谁点燃了中国诗化电影的火种?在风云激荡的中国电影百年历史上,诗化电影带给人们怎样的诗意感悟?在商业化浪潮席卷影坛的今天,我们能不能坚守那片诗意的天空,让更多的星辰在寂静的暗处闪耀,启示更多的人们了解什么是中国电影的真正魂魄?……中国是一个最具诗歌传统的国度,象外之象、情与景偕的画面造型,开启了中国诗化电影的探索之路,本文旨在梳理和探寻在中国电影成长和成熟历程中蜿蜒发展的中国诗化风格电影语言独具的特质与审美意蕴。
Who is the first person to initiate Chinese poetic movies？ What kind of poetic impressions have poetic movies evoked people in the last century of drastic changes of Chinese movies？ And can we hold on to the poetic sky, keeping more stars of lyric sentiment twinkling in the gloomy distance and making more people aware of the true spirit of Chinese movies, at a time of commercialization in the moviedom？…China is a country of poetic heritage, which gives more freedom to visual techniques in creating meanings beyond images and harmonizing emotions with scenes. This proves valuable to the development of and exploration in poetic movies. This paper addresses the unique property and aesthetic meaning of the poetic expressions in the tortuous history of Chinese movies.
出处
《浙江师范大学学报（社会科学版）》
2007年第1期56-62,共7页
Journal of Zhejiang Normal University(Social Sciences)
关键词
中国电影
诗化风格
电影语言
画面造型
写意长镜头
Chinese movies
poetic style
movie expressions
visual techniques
casual long shot
