摘要
初唐诗如何走向盛唐诗是研究盛唐气象生成的一个关键问题。在以往的研究中,我们更多地是关注文学繁荣的政治、经济等因素,而忽视了在文化整合过程中江南文化的价值。江南文化在初盛唐之际从隐没走向复兴预示着唐代文学观念的本体回归,而吴中四士以淡泊旷达之人格境界、放浪自由的行为姿态进入北方社会而自觉接受北方文化的熏染,其江南水性的诗风在客观上促进了南北文学交融,成为初盛唐诗歌嬗变的一个关键所在。
It＇ s a pivotal problem in the study of the High Tang poetry to study how the poetry of the Early Tang Dynasty developed into the High Tang poetry. In the previous studies, the focus was on the political and economic factors in the flourishing of literature rather than the value of Jiangnan Culture （the Culture to the South of Yangtze） in cultural integration. The thriving of Jiangnan Culture in the High Tang Dynasty from obscurity in Early Tang Dynasty signals the noumenon return of the literary ideas in the Tang Dynasty. The Four Suchow Scholars, with their unsophisticated personality and abandoned manners, entered the northern community and consciously accepted edification of the northern culture. Their watery style from the South of Yangtze promoted the fusion of the northern and southern cultures, and was crucial to poetic evolution from the Early Tang Dynasty to the High Tang Dynasty.
出处
《江苏大学学报（社会科学版）》
2007年第1期57-61,共5页
Journal of Jiangsu University(Social Science Edition)
关键词
江南文化
晋宋风流
水性
吴中四士
Jiangnan Culture
the bearing in the Jin and Song Dynasties
watery style
the Four Suchow Scholars
