摘要
在中国美术发展史上,由绘画材质的应用变化而引起艺术表现风格形式大变与创新的莫过于元代。本文力图通过对元代山水画家流行在纸地,特别是在生纸上作画的量化分析和现象学定性研究,揭示绘画材质(生纸)的广泛运用是如何引发了元代山水画艺术观念和技术之变,从而又引发了元代山水画文人化、人格化的巨大变革。
There is no bigger and more creative tran- sformation of artistic expressive style that caused by change of application of painting materials in Chinese art history. Through analyzing in quantity and study with phenomenology on the phenomena that it was popular for painters in the Yuan Dynasty to paint on paper, especially on raw paper, this thesis finds out how wide application of painting material (raw paper) caused the transformation of the artistic idea and te- chniques of landscape painting in the Yuan Dynasty, which caused the great revolution of its literatization and humanization.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2007年第1期20-24,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
绘画材质
元代山水画
艺术观念和技术
文人化和人格化
变革
Painting material
landscape painting in the Yuan Dynasty
art idea and technique
literatization and humanization
transformation
