摘要
从1956年开始至文革前,毛泽东不仅作了《与音乐工作者的谈话》,而且作了与音乐问题有关的4次批示,从而给中国音乐界带来深刻影响。毛泽东的音乐思想提高了中国音乐的民族自信心,指出了“古为今用,洋为中用”的民族化方向,倡导了形式上的创新;但由于他以革命家、政治家的立场关照音乐,特别强调音乐的政治性,因而也存在一定的局限性。
Mao Zedong wrote four instruction or comments for music issue besides Talking With Musicians from 1965 to the eve of Cultural Revolution, which influenced the Chinese music circle deeply. Mao Zedong pointed out the nationality direction for Chinese music： make the past serve the present, and make foreign things serve China. His music thoughts increased self-confidence of Chinese music, and sparkplug the formally innovation, and meanwhile he emphasized the political and instrumental function of the music that made the limited to the aesthetics and the result was a tragedy to the music career in the end.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第1期147-156,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
毛泽东
音乐问题
音乐思想
talking, written instruction or comments, form, nationalization, limit, aesthetics
