摘要
民族音乐中的旋律大都是由五声音阶中纯四度内的各种三音列为主干音变化发展的。它的每个具有停顿感和终止意义的旋律片段都具有平衡性,而每个片段的终止音却具有多可性。从“多可性”中可以掌握民族旋律的优选法与调式的优选法。民族调式具有珍贵的多样性,表现性能的丰富性,操作程序的独特性,“牵一发而动全盘”的敏感性。文章以大量实例论证了民族调式的“灵魂”效应。
Most of Chinese traditional melodies come from the various tone-rows of thirds in fourth structure of the pentatonic scale. Its every melodic fragment with the sense of pause and meaning of ending has the balance quality, but the ending tone of each fragment with multi feasibilities. Therefore, there are three qualities in Chinese traditional modes, the colorful expression, individual handling proceeding, susceptive of one chose may affect the tune as a whole. Based on a lot of examples, the paper demonstrated the spirit effect of Chinese traditional modes, and the writer proposed his suggestions on the optimization both for Chinese traditional melody and modes from the multi feasibilities.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第1期52-61,77,共11页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
三音列
平衡性
敏感性
灵魂效应
tone-row of thirds, balance quality, susceptive, spirit effect
