摘要
“文革”结束后,人们重新思考审视“个人”、“人”、“主体”的价值,中国的现代性追求从“阶级”话语复归到“人”的话语,重新接通了五四。“文革”后文学的功能已大大超越了文学性本身,知识分子以“社会的良心”自居,以“精英意识”启蒙民众,与民众之间形成了不平等的“说”与“听”的权力关系。90年代,原有的叙事模式失去了“中心”位置,出现了多元叙事局面。以张承志为代表的“荒芜英雄路”上孤独决绝的姿态成为新时期知识分子最为典型的精英剪影。
After the Great Cultural Revolution, people newly consider the Value of individual, human and main body. Pursuing a goal of modernity in China reverted from class to human. The function of literature had exceeded itself greatly. The intellectuals were regarded as the society＇s conscience ,and they enlightened the public, There an inequal connection between the intellectuals and the public.In the 90＇s, the former narrative lost its key place and there appeared multifold siiuation. Zhang Chengzhi＇s alone gesture represented the intellectuals in the near epech.
出处
《怀化学院学报》
2006年第12期79-83,共5页
Journal of Huaihua University
关键词
现代性
知识分子
民众
叙事
modernity the intellectuals
the public
narration
