期刊文献+

沈从文的小说创作及其外来影响——以《长河》为例 被引量:1

The Fictions by SHEN Cong-wen and the Exotic Influence Upon Them
下载PDF
导出
摘要 抗日战争时期,在西南联大的沈从文创作了文学生涯中最后一部长篇小说《长河》。沈从文在作品中综合了自己对于“边城”世界各方面的生活体验,又调动了各种艺术才能和叙事试验,写出了留在记忆里的湘西世界的独特的生活样式和社会演变;同时他还在作品中表现了历史与现实的“永恒与流变”、书写了美好的人性和对民族精神的思考。从中不难看出,《长河》的创作明显受到来自国外的影响,主要是弗洛伊德精神分析学说、孔德的实证主义哲学和西方现代主义文学的影响。 During the anti -Japanese war, SHEN Cong- wen, who was in Xinanlianda University, completed the composition of his last novel, ChangHe(The Long River). SHEN Cong - wen both incorperated his living experience from the world of "remoteness " into his literature works and mobilized a variety of artistic talents and narrative methods, having written out the living pattern in the West Xiang (the west of Hunan province), which is a kind of both "the permanent and the drifting", and meantime having expressed his perception towards the human nature and national spirit. From that, it is not difficult for us to see that the witting of ChangHe was greatly influence upon exotically, mainly by the theory of psycho - analysis, the positivism and the western literary realism.
作者 杨绍军
出处 《学术探索》 2006年第6期114-119,共6页 Academic Exploration
关键词 沈从文 小说创作 外来影响 《长河》 SHEN Cong - wen fiction composition exotic influence ChangHe
  • 相关文献

参考文献23

  • 1《凤凰之子—沈从文传》,第188、223—224、228页.符家钦译.中国友谊出版公司,2000年版 被引量:1
  • 2西格蒙德·弗洛伊德.《精神分析纲要》.安徽文艺出版社,1987年1月版 被引量:1
  • 3西格蒙德·弗洛伊德.《精神分析引论新讲》.安徽文艺出版社,1987年1月版 被引量:1
  • 4沈从文.从文家书·湘行书简[M].上海:上海远东出版社,1996. 被引量:1
  • 5张新颖..沈从文精读[M],2005.
  • 6沈从文.湘行书简·感慨之至[A].沈从文全集(第11卷)[C].太原:北岳文艺出版社,2002. 被引量:1
  • 7沈从文..沈从文别集[M].长沙:岳麓书社,1992:254.
  • 8沈从文.致张兆和(19380728)[A].沈从文全集(第18卷)[C].太原:北岳文艺出版社,2002. 被引量:1
  • 9沈从文.致沈云麓(194205)[A].沈从文全集(第18卷)[C].太原:北岳文艺出版社,2002. 被引量:1
  • 10黄永玉.这一些忧郁的碎屑[A].孙冰编.沈从文印象[C].上海:学林出版社,1997. 被引量:1

二级参考文献88

  • 1[1]Anderson, Marston. 1990. The Limits of Realism:Chinese Fiction in the Bevolutionary Period. Berkeley: University of California Press. 被引量:1
  • 2[2]Barth, John. 1984( 1980 ). "The Literature of Replenishment:Postmodern Fiction." In Baith. The Friday Book: Essays and Other Nonfiction. New York:G.P.Putnam's Sons. 被引量:1
  • 3[3]Becker, George J. 1963. "Introduction: Modern Realism as a Literary Movement." In George J. Becker, ed. Documents of Modern Literary Realism. Princeton: Princeton University Press, pp. 3 - 38. 被引量:1
  • 4[4]Bell, Michael. 1999. "The Metaphysics of Modernism." In Michael Levenson, ed. The Cambridge Companion to Modernism. Cambridge: Cambridge University Press, pp. 9 - 32. 被引量:1
  • 5[5]Benjamin,Walter. 1968 [1935] ."The Work of Art in the Age of Mechanical Reproduction." In Walter Benjamin. Illuminations. Harry John, trans. New York: Schocken, pp. 217 - 251. 被引量:1
  • 6[6]Berman,Marshall. 1982.All That Is Solid Melts into Air: The Experience of Modernity. New York: Simon and Sohuster.Bradbury, Malcolm, and James McFarlane, eds. 1974. Modernism. Middlesex, England: Penguin Books. 被引量:1
  • 7[7]Calinescu, Matei. 1977. Faces of Modernity: Avant - Garde,Decadence, Kitsch. Bloomington: Indiana University Press. 被引量:1
  • 8[9]Denton, Kirk A. ,ed. Modern Chinese Literary Thought: Writings on Literature, 1893 - 1945. Stanford: Stanford University Press. 被引量:1
  • 9[10]Dolezelová - Velingerová, Milena, ed. 2001. The Appropriation of Cultural Capital. Cambridge: Harvard University Press. 被引量:1
  • 10[11]Eysteinsson, Astradur. 1990. The Concept of Modernism. Ithaca:Cornell University Press. 被引量:1

共引文献125

同被引文献1

引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部