摘要
海岩的长篇小说《河流如血》再创出版高记录,但作家仍局限于特有的小说叙述模式,这部作品没能做到相应的创新。概言之,模式第一面是“刑侦+恋爱”;模式第二面是“财子+佳人”;模式第三面是“道德+法制”。文学创作需要不断创新,创新的过程也是对创作模式的不断突破过程。作家应该警惕的是,不要让模式成为创作的桎梏。
Hai-yan＇s long story River Like Blood is popular novel which follows the same familiar modes of Hai-yan. In another word, There are three aspects, i.e. detective story with love; richman with fairy; morality with law. As writing needs creation that breaks through stuffy mode, the writer may be cautious of the confinement of his writing within the fixed modes.
出处
《湛江海洋大学学报》
CAS
2006年第5期87-90,共4页
Journal of Zhanjiang Ocean University
基金
广东海洋大学科研资助项目(编号:0512167)
