摘要
本文从和声、调式、节奏等方面对巴托克的两部钢琴作品《钢琴小曲14首》和《六种保加利亚舞曲》进行了分析,从中找出了其创作中与民间音乐的联系,并从审美意识的角度对其创作特征进行了探析。希望通过本文的研究进一步揭示巴托克的创作特征及音乐风格,并对钢琴教学有一定启示。
The thesis analyses and compares 2 piano works by Bartok, ＂Fourteen Piano Tunes＂ and ＂6 Bulgarian Dances＂; it reveals the connection of his compositions with folk music, and explores some compositional characteristics on the aesthetic aspect. The author hopes to bring some insights to piano teaching after careful study of the compositional and musical styles of his works.
出处
《天津音乐学院学报》
2006年第4期35-45,51,共12页
Journal of Tianjin Conservatory of Music
