摘要
在三星堆文化的造型艺术中,人鸟组合图式是一种有代表性的造型。与其它人类早期文化遗址中的人鸟组合图式相比,它的独特性不仅表现在所有的物质媒介和制造方法与众不同,而且其器物中的人鸟同形,以人扮鸟的形式独具一格,更重要的是,它作为古蜀人的族属标志和集体表象,反映了三星堆文化张扬之美的特征。
In the art of sculpture in Sanxingdui Culture, the representative pattern is the one of human and birds＇ combination. Although the pattern of human and birds＇ combination is not uncommon in the early cultural relics of human history, but the one in Sanxingdui Culture has a unique character, which is manifested by the great number of the artifact, the special material and special way of sculpting, and also by the pattern of the homotype of human and birds,and of birds disguised by human in the artifacts, which can not be found in the early cultural relics of human history.What is more, as the clanicand collective symbol for ancient Shu people,the pattern of human and birds＇ combination not only relects the historic source of Sanxingdui Culture,the theme of the communication of god and human, thenotion of religious worship,and the uniqueness of the local culture,but also shows the emphasis of humanity in Sanxingdui Culture, and the aesthetic characteristic of Sanxingdui Culture beauty of magnitying.
出处
《华中师范大学学报（人文社会科学版）》
CSSCI
北大核心
2006年第6期106-111,共6页
Journal of Central China Normal University:Humanities and Social Sciences
关键词
三星堆文化
人鸟组合图式
独特性
张扬之美
Sanxingdui Culture
the pattern of human and birds＇ combination
uniqueness
beauty of magnifying
