摘要
原生态民间音乐随着我国非物质文化遗产保护工程的启动逐渐成为各界关注的焦点。后现代主义语境下的原生态民间音乐,由于具有了独特的音乐文化价值及审美价值,因而有其存在的必然性和合理性。
Original ecology folk music has gradually become the social focus with the start-up of intangible cultural heritage project in China. Original ecology folk music under postmodernism context has its inevitability and rationality because of its unique music cultural and aesthetic value.
出处
《长江大学学报（社会科学版）》
2006年第5期98-100,共3页
Journal of Yangtze University（Social Sciences Edition）
关键词
原生态音乐
审美价值
文化视野
original ecology music
aesthetic value
cultural view
