摘要
在六角鬼丈的作品中,他的设计首先是从环境与自然的协调,人与建筑的关系考虑,建筑本身不是单纯的、个体的,而是融入环境和自然中的,建筑本身也是自然的一部分。他利用大量与自然相协调的形体、空间将建筑引入自然中,使人以一种本质状态存在于自然中,这可以理解为他的建筑作品是对东方哲学的一种解读。近年来,他的建筑从抽象的哲学概念转入自然的协调与生态,形成了他这一时期的建筑风格。六角先生作为一位具代表性的日本建筑家,他的作品在自然与建筑、生态与建筑、人与建筑、艺术与建筑等方面带给我们启迪。
Among Kilo Rokkaku＇ s works,first of all, he used a particular method which emerged the consideration of the harmony of the nature and environment,and what＇ s more ,the relation of the architecture and the humanbeing is also a important point to think over .From those works we can tell the architecture isn＇ t only onefold or individual but also melted in the nature and environment,it is a part of nature He used to lead the architecture into the nature which may make the people exist essentially ,to achieve that,he used lots of form and space which is harmonized the nature.This phenomenon may be judged as an explanation of the oriental philosophy.In recent years,the translation from abstract philosophy concept into the harmony of the nature and zoology has became his main architecture style.As a cross-sectional architect in Japan, Kijo Rokkaku＇ s design work brought us significative edification of the relationship of nature.zoology.human and architecture.
出处
《新建筑》
2006年第3期109-109,共1页
New Architecture
关键词
六角鬼丈
东方哲学
自然
协调
生态
Kijo Rokkaku , oriental philosophies ,nature,harmony,zoology
