摘要
古典主义创作主题侧重于表达形式美法则,现代主义创作主题侧重于表达形式与功能的理性逻辑,后现代主义的创作主题侧重于表达文脉及建筑的含义,这些在解构主义建筑师的眼里都是“理性”的,而他们树立“非理性”的旗帜,力图表现冲突、无序、不完整以及形式和功能的非逻辑成分。本文通过分析解构主义的经典作品——柏林犹太人博物馆,透视出作品非理性表象下,理性的思考过程。
The classical design focuses on beauty of form, and the modernistic design focuses on rational logics between form and function, while the post-modernistic design focuses on expressing context and architecture. All these in de-constructuralists eyes are rational, and they advocate "irrationalism", and strive to express alogical elements of confilct, disorder, fragmentation, form and function. Through the analysis of Jewish Museum in Berlin, the article opens out the cause of logical thought under the irrational phenomenon.
出处
《世界建筑》
北大核心
2006年第3期118-120,共3页
World Architecture