摘要
20世纪末与新世纪之初,美丽消费的盛宴开始摆上中国“餐桌”并逐渐流行开来,“人造美女”因势荣登《中国青年报》的“热词2003”之列。但从文化的视角来看,人造美女是整形技术下的模式化产物,它反映出女性对自身身体的符号化消费观、对权力的追求以及对男性权威的服从。人造美女是因男女不平等的社会现实而产生,反过来它又加剧了男女不平等的社会现实。
At the end of the 20th century and the beginning of the new century, the banquet of beauty- consuming appeared in China, and it was so popular in the following days that the phrase of artificial beauties （beauties made by cosmetology） was chosen as one of the hot words of the year 2003 in China Youth Daily. But from the perspective of culture, artificial beauties are the patternized product made by plastic surgeons. This phenomenon is a reflection of the women＇s concept of symbolized consuming to their body, and their submission to men＇s authority. The phenomenon of artificial beauties is brought about by the social fact of inequality between men and women, which in turn is intensified by this phenomenon.
出处
《南通大学学报（社会科学版）》
2006年第6期99-102,共4页
Journal of Nantong University:Social Sciences Edition
关键词
人造美女
模式化制造
符号化消费
男权主义
artificial beauties （beauties made by cosmetology）
patternized product
symbolized consuming
male chauvinism
