摘要
本文从现代中国画的发展,透视文人画产生的历史情境,阐明它的本质。首先,文人画是中国隐逸文化的体现,它不是隐逸在山林,而是隐逸在内心;其次,文人画的隐逸境界有赖于一种独立的精神才能取得;第三,笔墨是文人(士夫)心象的折射,并简析其当代意义。
Proceeding from the development of modern Chinese painting, the author analyzes the historical background of the emergence of scholar paintings and expounds its essence. Firstly scholar painting is the embodiment of Chinese hermit culture, not in the mountains and forests but in hermits' hearts. Secondly the hermitship of the scholarly painting depends on a certain independent spirit. Thirdly inks and brushes are the reflection of scholars' inner world, through which the author aims to analyze its contemporary meaning.
出处
《艺术探索》
2006年第3期31-33,共3页
Arts Exploration
关键词
文人画
隐逸文化
独立精神
笔墨
Scholar Painting, hermit culture, spirit of independence, ink and brush.
