摘要
通过分析、比较陈培勋与丁善德、朱践耳等其他作曲家作品的和声手法之运用,归纳他们各自的创作特点以及与陈培勋先生在创作手法上的共性,从而体现出陈先生作品在技法与风格上的个性;希望通过这一研究能引起作曲理论界对中国和声运用问题的更大关注。
Through a comparative study of the application of such composers as DING Shan- de, Zhu Jianer to the harmonic technique, this paper concludes their own composing characteristics and the common points on the composing concept, serving as a foil to the breakthrough of his work in the technique and style at that time. It is expected that the field of composing theory can give more concern on the application of harmonic technique in China.
出处
《茂名学院学报》
2006年第5期80-82,共3页
Journal of Maoming College
关键词
陈培勋
和声运用
作曲理论
CHEN Pei - xun
harmonic application
composing theory
