摘要
现代工笔人物画造形大多采用西方素描的再现方法,忽视了我国传统绘画的意象表现。本文从绘画理论和美学思想方面探讨了我国工笔人物传统绘画重意轻形的美学理念;通过对传统文化的深入了解,真正做到创新和发展我国的绘画艺术。
Modern figure painting shading mostly adopts the western sketch reproducing method, and has ignored the image representation of Chinese painting tradition. From the painting theory and aesthetic ideology aspect, this paper probes into the aesthetic notion that Chinese traditional painting theory pays more attention on the connotation than on the form of a painting. None but we understand the traditional culture deeply, could we veritably innovate and develop the painting art of our country.
出处
《河南理工大学学报（社会科学版）》
2006年第3期230-232,共3页
Journal of Henan Polytechnic University:Social Sciences
