摘要
文学的有效性,其实就是文学“个人”对世界的进入方式。小说、诗歌在“个人化”表达上自然有它自己独到的地方,但因文体的局限毕竟有言有尽而意无穷的尴尬。正因散文能“直抒胸臆”,它的“自由”更能使作家的“思想”痛快淋漓。按照时间顺序,“身体”在文学中的起起伏伏无疑是1990年代以来最重要的文学事件之一,余秋雨、刘亮程、南帆的散文在主题的意义上可看作是“身体”处境具有代表性的发展过程,同时文学介入现实的有效性也得以不断地深入。这应该是散文最具现实感的另一面。
The efficacy of literature virtually refers to the means for ＂individuals＂ in the literary circles to enter the world. While fiction and verse embrace respective peculiarities in their expression of ＂individualization＂, they are more or less restrained due to limitations in their styles. Prose, being able to ＂pour out one＇s heart＂, is more likely to enable writers to freely air their views. In the chronological order, the undulation of the ＂body writing＂ motif in literature has been the most significant literary event since the 1990s, and the prose of Yu Qiu-li, Liu Liang-cheng and Nan Feng in terms of themes can be regarded as the representative process of development for the ＂body writing＂ in literature, and meanwhile, the efficacy of portraying reality through literature has been constantly furthered, which should be another aspect of being realistic on the part of prose.
关键词
身份
身体
躯体
文化人格
社会文化身体学
identity
body
stature
cultural personality
bodology of society and culture
