摘要
在蒙古民歌中存在着大量的“变凡”音乐现象,学界把“变凡”现象称为“同主音调式变换”,即调式变换中主音的相对波长没有变化,但新音列的出现使调式色彩有了新的意义。蒙古族民歌“变凡”音乐现象中隐藏着一种精确的规定性和严密的数理逻辑,并在蒙古民歌中发展到相当规范的程度。
There is much phenomenon of ＂ bianfan＂ in the Mongolian folk songs and it is called melody change of the same principle tone. That is to say the relative wavelength do not change but the appearance of the new tone arrangement make the melody have the new meaning. I think the phenomenon contains certain accurate and rigorous Logic and it has developed to a very normative degree in Mongolian folk songs.
出处
《内蒙古大学艺术学院学报》
2006年第3期57-60,共4页
Journal of Art College of Inner Mongolia University
关键词
蒙古民歌
变凡
色彩音列
数理逻辑
Mongolian folk songs
Bianfan
color tone arrangement
mathematic logic
