摘要
本文依据自1922年法国考古队以来的历年考古成果,结合对古代文献的重新解读,着重介绍阿富汗巴米扬石窟的建筑、雕塑、壁画艺术特色,以及古代阿富汗地区作为古代希腊、印度、中国这三大文明圈的中介和枢纽的特殊地位。阿富汗古代佛教文化遗存的多样性和复杂性向世人表明:三大文明圈的互相接触不仅仅停留在艺术样式的传导和物质交流上,更有许多涉及各文明圈自身变化的影响,有待我们继续探讨。
Based on the archeological achievements from 1922 till now of French archeology teams and combining information from ancient documents, this essay introduces the architectural, sculptural and frescoes artistic characteristics of the Afghanistan Bamiyan grotto and promotes the influential role the ancient Afghanistan region had in the development of the three civilized circles： ancient Greece India and China The diversity and complexity of ancient Buddhism culture remains in Afghanistan indicate that the three civiized circles influenced each other through more than just the spread of basic artistic styles and trade goods, but core cultural developments, which should be researched more.
出处
《建筑创作》
2006年第9期98-107,共10页
ArchiCreation
关键词
巴米扬石窟
《大唐西域记》
希腊-犍陀罗式佛教艺术
三大文明圈的接触
Les Grottes de Bamiyan, Buddhist reconds of Westen World, Bouddha de Grece-Gandhara, contact of three civilized circles
