摘要
“渊明逸致”题材指在中国画中与陶渊明本人形象及其传说、诗文以及围绕他所产生的意象、典故等有关的一类题材。这类题材所形成的图像不但包括较为单纯的对陶渊明的容止的描绘、间接的对其历史故事或传说故事的叙述性描绘,还有较为隐晦的由陶渊明诗文所衍生出的绘画题材,渐次形成了中国画对陶渊明文化的丰富阐释。自晋唐至明清,“渊明逸致”题材被反复创作,每个时代在接受程度和侧重点上也差别很大,从此题材的渐次丰满过程中,我们可以认识到历代画家及画坛的审美趣味发展变化的轨迹。
The subject matter of “Yuan Ming Yi Zhi” refers to the images, stories and poems of the poet Tao Yuan-ming that are related to or painted in the paintings. These paintings include not only the direct or indirect descriptions, historical narratives and legends about him, but also sceneries that are implied in his poems and therefore interpreted in the paintings which gradually formed a culture of Tao Yuan-ming. From Jin and Tang to Ming and Qing dynasties, these subject matters have been appropriated repeatedly with great differences in reception and focus at different times. And from this process of their gradual perfection, we can recognize the changes in the aesthetic taste of different painters at different ages.
出处
《文艺研究》
CSSCI
北大核心
2006年第9期131-139,共9页
Literature & Art Studies
