摘要
张艺谋电影中的女性情结是学界关注的焦点,也是一个充满神秘色彩的谜。潜入张艺谋的成长世界和创作世界,从曲折的自我慰藉、回归现实的依托、走出去的策略三个角度对张艺谋电影中的女性情结作以分析,可以发现,张艺谋在十年的艺术生涯中打造的女性群雕不是偶然性的巧合现象。而张艺谋苦难的成长记忆,回归主流的艺术期盼,引领中华文化向西方话语发起冲击的艺术实践正是理解其女性情结的科学切入点。
In the Zhang Yimou＇s movies the feminine temperament is the focal point by the scholars, and is also a riddle full of mystery. If we were to penetrate into Zhang Yimou＇s world to view his growth and movie making, to analyze his self-consolation, his regression to reality, and his outbound strategies, it can be found that it is not a mere coincident that he created such a group of female figures. Zhang Yimou＇s miserable remembrance in his childhood, his artistic expectation for the return of the mainstream, and his artistic practice to lead Chinese culture to strike against western speech powers, all these may be a scientific view point to comprehend his female temperament.
出处
《太原师范学院学报（社会科学版）》
2006年第5期127-129,共3页
Journal of Taiyuan Normal University:Social Science Edition
关键词
自我慰藉
回归现实
话语霸权
self-consolation
return of reality
speech power
