摘要
秦观词中所占分量不大的较单纯的应歌娱人之制为第一类,虽亦直承花间派风貌特征与价值取向而来,却洗涤秾艳绮靡色调而转趋于清丽柔曼,有的更暗暗透露出开始朝第二类融入的消息。第二类词或径直在习常的恋情别思里写进一己的真实情怀感受,或藉旧有范式以讬寓自我主体的新内涵。这虽在词史中已早具精彩先例,而秦观后来居上,于艺术表现方面多所拓展深化,将之提升到新的高度,它们占了秦词的大多数。第三类亦较少,其向诗化回归的艺术精神与苏轼对词体的革新之举桴鼓相应;唯秦观取径甚偏狭,仅注重到个体人生遭际和感情意绪的抒发,风格沉咽凄怨,是用整个生命悲剧来铸就,并无须再饰辞以成深曲隐约之姿,却最大可能地强化、张扬了词的容量与深度。
In Qinguan＇s Ci there are three types. The first type shared less number and characterized by simplicity is made to entertain some people. Although its style took directly from the features and values of ‘HuaJian＇ schools, it has thrown off colorful fashion and inclined to be pure, what＇s more, among of them has begun to transform the second type. The second type is characterized by either the style expressed straightly own true feelings or new connotation based on old fashion to show selfness. Though the style had outstanding precedence early and overwhelmed“ splendid Ci”traditions and substituted for mainstream schools of Song Dynasty, but Qinguan could catch up from behind and deepen artistic expression to elevate it to new heights, which accounted for the majority of Qinguan＇s Ci. The third type is much less and art spirit which drew back Ci pattern corresponded with Sushi＇s innovation of poetry style. However Qinguan drived a narrow angle only to focus on the individual life experience and the feelings of expression , which style is sorrowful and plaintive. Qinguan＇s style cast for entire life tragedy and there is no need to decorate into indistinct pattern, but it can strengthen and make widely the capacity and depth of the Ci as far as possible.
出处
《齐鲁学刊》
CSSCI
北大核心
2006年第5期73-77,共5页
Qilu Journal
关键词
秦观词
三种类型
艺术精神
词史意义
Qinguan＇s Ci
three types
art spirit
Ci history meaning
