摘要
“跳神”这一活动在很多东北作家的小说中都有表现,不同时期的东北作家描述“跳神”的价值判断是不一样的。从现代到当代,经历了一个从历史祛魅到神性附魅的变化过程,这既反映了社会时代的改变所造成的不同时代作家思想倾向的不同,也从侧面说明了东北萨满教本身的复杂性。
Many northeast authors described sorcerer＇ s dance in their novel, but from the different standpoint in different times. From modern times to the present age,it underwent the transformation from history disenchantment to deity enehantment. On one hand, it reflected the different ideology trend of the authors in the different times;on the other hand,it illustuated the complexity of Shamanism in northeast ,China.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2006年第5期13-15,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
跳神
萨满
祛魅
附魅
sorcerer＇ s dance
Shaman
disenchant
enchant
