摘要
叙事风格是指导演所使用的使影片文本呈现出这样或那样特色的艺术方法的倾向性。张艺谋拍摄的影片,从《红高粱》到《十面埋伏》经历了戏剧性的浪漫传奇、故事性的理性纪实、影像性的虚幻诗意的嬗变过程,一步一步从中国电影传统的叙事风格迈向目前世界具有现代性的电影叙事风格。张艺谋在变中逐渐强化了以影像语言为叙事元素的地位,同时也完成了自己影像本体的回归。
Descriptive style is one part of the producer＇s character, and it is the most important ingredient. Descriptive style refers to the tendency in which the producer makes the film take on this and that art method. The films directed by Zhang Yimo. Red Sorghum and Ambush All Round, experience the legend of the drama, on-the-spot record of the storied and the poetic quality of the images, going step by step from the traditional descriptive style of the Chinese films to the present style with modern smell. During the process, Zhang Yimo gradually strengthens the film language as the descriptive element, meanwhile, accomplishing the return of its own image.
出处
《河南大学学报（社会科学版）》
北大核心
2006年第5期71-74,共4页
Journal of Henan University(Social Sciences）
基金
河南省教育厅2003年人文社科项目"张艺谋电影作品特征论"的阶段性成果(SKL-2003-918)
关键词
张艺谋
电影作品
叙事风格
传奇
纪实
诗意
Zhang Yimo
descriptive style
legend
on the-spot record
poetic quality
