摘要
胡风的诗论构成了其文艺理论中不可忽视的部分,他的诗论注重诗人的人格力量和道德感,重视诗人的主观战斗精神和战士身份,并推崇和鼓吹无拘束的奔放的自由诗歌体式,对诗艺和其它诗歌体式则相对忽视,对诗人身份的认定也有偏颇之处。胡风的诗论正是在合理与偏颇之间同时展开与进行的。
Hu Feng＇s critique on poetry is an important part of his theory of art and literature. His poetic theory stresses poets＇ power of personality and morality and attaches importance to the poets＇ fighting spirit and status as a soldier. He advocated free form of poetry and ignored the art of poetry and other poetic forms and his determination of poets＇ identity was also one-sided. Therefore, Hu Feng＇s critique of poetry developed and advanced between reason and deviation .
出处
《湛江师范学院学报》
2006年第4期44-47,共4页
Journal of Zhanjiang Normal College
关键词
胡风
战士诗人
人格力量
真诚
诗歌形式
Hu Feng
soldier-poet
power of personality
sincerity
poetic form
