摘要
祥林嫂和翁莲分别是鲁迅与郁达夫小说中着力塑造的艺术形象,是同时代的两位农村劳动妇女。她们都有着一段不幸的婚姻,都有着丧夫的历史,都背着克夫的罪名。由于两位女子的贞节观不同,作者对她们所寄予的主题也不同,所以祥林嫂死在封建礼教的迫害之下,翁莲获得了“迟桂花”式的爱情。
Sister Xiang Lin and Weng Lian are artistic images figured in LuXun＇ s and Yu Dafu＇s novels. The two working women were in the countryside in the same era. Both of them had unfortunate marriages, the history of losing husbands, the imputation of blocking husbands, Because of their different opinions on chastity, the author expresses the different subjects as well, So Sister Xiang Lin died under the persecution of the ceremonial rites and regulations of feudalism, and Weng Lian got the love called “Lateness of Sweet - Scented Osmanthus”.
出处
《长治学院学报》
2006年第4期30-31,共2页
Journal of Changzhi University
关键词
祥林嫂
翁莲
《迟桂花》
srtistic images
ceremonial rites and regulations of feudalism
subject
love called “ Lateness ofSweet - Scented Osmanthus”
