摘要
古乐曲《春江花月夜》和张若虚的古诗《春江花月夜》虽为不同的文艺样式,但二者在创作手法上却有一脉相通之处。古乐曲《春江花月夜》的旋律发展手法为鱼咬尾,古诗《春江花月夜》的句法多采用蝉联相生的手法,两者有异曲同工之妙。中国“诗乐一体”的传统源远流长。诗歌与音乐相互影响、相互渗透、相辅相成、相得益彰,并且贯注着中国传统的“和”的审美意识———“和谐、统一”,这是二者具有相通的审美特征的美学基础。
The classic music ＂ Moonlit Night Over Chunjiang＂ and the poem with the same title differ in their styles but share something in their creative techniques. The aesthetic features of both the poem and the music is the Chinese traditional value ＂harmony and unity＂, which is the aesthetic basis for their aesthetic features.
出处
《黄冈师范学院学报》
2006年第4期94-96,共3页
Journal of Huanggang Normal University
