摘要
余光中的乡土诗注重主体意象的智性探索和主题哲理性的追求,具有明显的艺术个性和美学特征。余氏乡土诗的悲剧意蕴往往通过古典意象和日常物象的认知反差映现人生的困惑和对精神皈依的渴求。在创作上余氏讲究语言和形式(诗体)的组构,在实践中实现自己提出的美学标准。
The local poems of Yu Guangzhong, ,ulrich have obvious artistic and aesthetic characters, focus on exploring the main images with wisdom and the philosophy of their subjects, Through classical images and the cognition of daily life, the tragedy in his poms shows perplexity in the life and eagerly desires for calm spirits, He not only has regard for language and organization carefully in creating his works but also puts forward aesthetic standards in practice.
出处
《南平师专学报》
2006年第1期66-68,共3页
Journal of Nanping Teachers College
关键词
乡土诗
意象化
中华文化
美学标准
local poems images Chinese culture aesthetic standards
