摘要
坐落在康斯坦茨湖畔，美术馆的基地位置十分明确，这个没有底、没有顶的半透明的玻璃体，就如同水面一样．没有顶的半透明的玻璃体，就如同水面一样，随着光线和季节的变动不断变化着外皮上鱼鳞般的纹理。内部的混凝土结构也随着自然界昼夜更替，云长云消，风雨和季节的变化而时隐时现。
Located at the shore of Lake Constance, the site is decisive. Like the surface of the water, the translucent glass cube with no base and no top changes the appearance of the scaly texture of its exterior according to the fluctuations of light and weather. The passing of day-to night-to-day, the gathering or breaking-up of clouds, storms, and seasons cause the interior concrete structure to be revealed or hidden. In some moments, the very same surface seems to be fragile and transparent, while at others, appears equally dense and strong. Despite its conceplual rigor, the sensitiveness and plasticity of its surface manifest the architecture＇ s potential for playful transformation.
出处
《世界建筑》
北大核心
2005年第1期72-79,共8页
World Architecture
