摘要
从音乐形态、表现手法等方面具体分析《变奏曲》这部钢琴作品,探究其中对中国传统戏曲效果的模拟,以及作者如何巧妙地借鉴皮黄丰富的音响和表现力并运用到钢琴音乐中。中西的结合,古今的碰撞、鲜明的色彩个性,这些特点使得这部作品成为探索中国钢琴音乐民族化道路上的闪光点。
This paper analyses the piano work- Variation, written by the young composer Zhang Zhao, from aspect of the content and format of the music together with the aim of the composer and the connotation of the expression. In the article, the writer focuses on the simulation of the effect of traditional Chinese Drama and the way of how the composer put the abundant acoustic and expressive force of Pihuang into his piano work composing. The integration of West and East music, the impact of ancient and present music together with the bright individuality all make the work as a sparkle of nationalization of Chinese music.
出处
《中央民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第4期130-132,共3页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
关键词
皮黄
京剧板式
色彩变化
戏曲效果
主题与变奏
Pihuang
music instrument
Beijing Opera Format
color changes
drama effect
theme andvariation
